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1 Your first subject on Sun Nov 01, 2009 4:36 pm

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2 Re: Your first subject on Mon May 31, 2010 12:26 am

FUNERIA's Ashes to Art® competitions and exhibitions have established a special niche in contemporary funerary art since their 2001 debut. They are credited with redefining the role and aesthetics of what have typically been uninspiring urns to contain cremated remains. They have opened new opportunities for artists to show and sell their work and they've helped the public broach a difficult subject in the most gentle, often charming, frequently provocative and always meaningful way. Through its exhibitions and leadership in a still-emerging contemporary funerary art genre, FUNERIA engages artists in issues that are timely and compelling. Apart from asking artists to fashion beautiful, original and finely crafted work, Ashes to Art® exhibitions also present artists working in all media--clay, metal, glass, wood, stone, fiber, mixed media, biodegradable and innovative materials--with an opportunity to consider their larger role in contemporary culture by responding to questions such as these:

* We know something about early cultures because we've studied their burial sites. How long is an urn expected to hold its contents before disappearing into the earth, water or air? What will our personal memorials and end-of-life practices tell future generations about us? If we want our bodies and ashes to dissolve into the natural environment over time in a biodegradable medium, is there one unique and artful object that will remain to stand in for us when we're no longer here to speak for ourselves?

* More than 50% of all cremation urns are kept at home, at least for awhile. Nearly 60% of respondents age 55 and older in a new funeral industry survey said that they will choose cremation for themselves. An older survey revealed that nearly 40% of respondents would like their ashes scattered. What kind of beautiful objects can survivors use in performing this task comfortably, and in a meaningful way?

* While many cremation urns will be buried or placed in a columbarium niche, what if there is no site to visit, or surviving family and friends are far away when it's time to celebrate, honor and memorialize ancestors and loved ones? What ritual objects and interactive processes can artists create or interpret in fresh and mindful ways that will help individuals and families connect with their past, present and future?
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3 Re: Your first subject on Tue Jun 15, 2010 4:40 am

Whether you believe the Adam and Eve story or not, it is agreed upon by many that eventually we are all related. Get back to the time of Charlemagne. Many younger people today can do that in 40 generations in some of their family lines. That would be your parents, grandparents and up through your 38xgreat grandparents. If each of those 38xgreat grandparents were a different person they would total over 1 trillion, 162 billion people. The population of the world was less than 250 million at that time and of course even less in Europe. Not everybody can find the documentation going back that far but that doesn’t mean that they are not one of Charlemagne’s descendants. I have some lines that have been documented that far back. Many people do.
It is believed the whole human race began in East Africa and some biologist feel we came from one female ancestor. They haven’t found the one male yet. Our ancestors were nomads. Our differences are due to mutations. Some people would have been
unable to survvive in certain parts of the world and would have died out. Example: The sun is very rich in vitamin D. It has been found that the minimum amount of vitamin D a black African requires is the maximum amount someone of northern European ancestry should have. Today it doesn’t make much difference as we have vitamin supplements.
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